I am currently in the process of pulling down my bourry box kiln which has been part of my studio life for the past 32 years. It has had many facelifts and produced some beautiful pots with soft subtle surfaces. I initially salt glazed in this kiln and then over the years decreased the amount of salt introduced. Each time the kiln was fired the residue salt would re vaporise and create beautiful flashing. I have found this kiln to be particularly good for tableware as the works were protected from the direct flame which is somewhat different to my anagama. I am now considering my next kiln to build….stay tuned.